“Let the good times roll!” seems to be the official approach to Mardi Gras in New Orleans. There’s much more to this annual tradition than partying. Read on for our sampling of Mardi Gras' unique history, trivia, and so much more.
Mardi Gras in America traces its roots back to medieval Europe. According to MardiGrasNewOrleans.com, it eventually made its way to France’s colonies in the New World. As the site notes: “On March 2, 1699, French-Canadian explorer Jean Baptiste Le Moyne Sieur de Bienville arrived at a plot of ground 60 miles directly south of New Orleans, and named it ‘Pointe du Mardi Gras.’” The first Mardi Gras in America would be celebrated in 1703 in nearby Mobile.
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Bienville, MardiGrasNewOrleans.com says, established New Orleans in 1718 and by the 1730s Mardi Gras was celebrated in the city, its earliest days marked by “elegant society balls,” which foreshadow similar events held today.
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Upward of 1 million people visit New Orleans for Mardi Gras each year. It’s also a huge moneymaker for the city, as, “Economic impact reports indicate that Mardi Gras generates over $1 billion in annual spending,” according to Mardi Gras NewOrleans.
NOLA.com reported that in 2020, New Orleans’ Mardi Gras proceeded as always, underestimating the reality of the then-new pandemic and its repercussions. “Public health officials have largely accepted that (the 2020 Mardi Gras) helped make New Orleans an early coronavirus hotspot in the U.S.” With more known about the pandemic in 2021, the focal-point parades were canceled to avoid another super-spreader event. Still, it lived in some form with celebrations reinvented and many locals decorating their properties in what became known as “Yardi Gras.”
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“While best known for parties, costumes and beads, Mardi Gras has religious origins in the Catholic calendar as well as in pre-Christian pagan celebrations,” HuffPost tells us. As MardiGrasNewOrleans.com further explains, “‘Carnival’ refers to the period of feasting and fun that begins on January 6 and ends on Mardi Gras (Fat Tuesday), the final day of revelry before Ash Wednesday when Lent begins.” People often refer to the whole season as Mardi Gras, with Fat Tuesday (this year Feb. 13) considered “Mardi Gras Day.”
The importance of Mardi Gras to New Orleans has been proven over centuries. The deep connection was perhaps most notable in 2006, when the traditional parades went on after 2005’s devastating Hurricane Katrina — despite the citywide and personal losses suffered by so many.
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By the 1830s, Carnival was a popular annual celebration in New Orleans, with parades beginning that decade. Today, some 70 parades are held throughout the Mardi Gras season in neighborhoods throughout the city. They are organized by krewes, historical social organizations often named for figures in mythology. Each krewe selects a theme for its parade every year, leading to the creative variety on display.
The parades evolved to include floats, first introduced by the Mistick Krewe of Comus in 1857. Today, the elaborate floats are the pride — and great expense — of the krewes. Members ride the floats during the parades, tossing trinkets into the crowds that line the routes.
The krewes are showcased in the parades but their club activities and traditional Mardi Gras balls are by invitation, with each ball naming its own krewe royalty. Over the years, the krewes — once the provenance of the city’s wealthiest and most prominent citizens — have grown, particularly during eras of segregation and exclusion when left-out groups formed their own organizations.
Mardi Gras Indians and their traditions date back to the 1800s, when Native Americans helped protect runaway slaves. When African Americans were later banned from Mardi Gras Krewes, they created a celebration known as Carnival in their own neighborhoods. Various communities would continue to make their own tribes for decades.
The elaborate costumes in New Orleans follow a European tradition, particularly those of the celebrations found in Nice, France, and Venice, Italy, where Carnival traditions are longstanding. In its earliest days, many New Orleans costumes and designs were made in France. Mardi Gras Indians are particularly noted for their hand-sewn costumes, some of which take an entire year to create and can cost thousands of dollars and weigh as much as 150 pounds — and are only worn once.
Way before COVID and its related mask requirements, New Orleans was all about masks for Mardi Gras. Anyone riding a float is required — by law — to wear a mask, which has yielded decorative and artistic designs. The original purpose of the mask was to get rid of social constraints for the day.
“Throw me something” is what you’ll need to yell to score some sought-after Mardi Gras beads, those signature strands for years made of glass but now mostly plastic. People who catch them are said to have good luck. In the French Quarter, known for its, um, “adult” take on Mardi Gras, women are known to flash their breasts to score their beads.
Much more than beads are thrown into the crowds, with trinkets also ranging from stuffed animals to shoes. Specialty coins, or doubloons, are among the most popular souvenirs, with the gold Rex doubloon — a creation of the Rex Organization, officially known as The School of Design, particularly prized.
Zulu coconuts are a souvenir like no other. The round, painted orbs thrown out by members of the Zulu Social Aid and Pleasure Club. One of the oldest traditionally African-American krewes, Zulu held its first parade in 1909. The next year, they began tossing coconuts to the crowd. They went from natural brown to being painted and adorned, now usually handed into the crowd to avoid injury.
The official — and traditional — colors of New Orleans’ Mardi Gras are purple, green, and gold. Highly recognizable, they are also imbued with meaning as purple stands for justice, gold signifies power, and green represents faith. These are said to have been chosen in 1892 when the Rex Parade theme ‘Symbolism of Colors’ gave the colors meanings. The colors’ introduction was influenced by Russian Grand Duke Alexis’ visit in 1872, as they were royal colors.
The Krewe of Rex selected a theme song back in 1872 — a whimsical number called “If Ever I Cease to Love” and composed by George Leybourne — and it’s been considered the celebration’s anthem ever since. Along with the traditional colors, it’s the only official item related to Mardi Gras.
Colorful ladders with seats line St. Charles Avenue so that kids can get a clear view. Local hardware stores sell parade ladders complete with wheels, kiddy seats, and safety bars. Spectators have been known to elaborately decorate these ladders, as well.
Don’t expect to be bombarded with corporate sponsorship or marketing ploys during the parades. There is a city ordinance in Orleans Parish that prohibits Mardi Gras from being commercialized. All expenses related to the parades are paid by the krewes.
There are no tickets required or entrance fees for the Mardi Gras parades. Even better, you leave with bags of Mardi Gras beads and throws. That’s led to it being called the “Greatest Free Show on Earth.”
The seemingly never-ending trove of beads tossed during the countless parades are often taken home as souvenirs. Many, though, find a different post-parade life — decorating local trees. These artful displays (subject of many a tourist photo) stand in counterpoint to those that ended up, literally, in the gutter. In 2018 a city drain-cleaning effort found 93,000 pounds of parade beads jammed the drainage system.
Visitors to New Orleans will not go hungry, thanks to signature fare that includes po’boys, étouffée, gumbo, muffalettas, pralines, and beignets. But when it comes to Mardi Gras, the king cake reigns. These cakes are a blend of coffee cake and cinnamon roll and iced in the traditional Mardi Gras colors. Hidden within the cake is a plastic baby to represent the baby Jesus. Tradition holds that whoever gets the baby will have good luck all year and, also must either bring the next cake or throw a party.
The call to royalty is strong in Mardi Gras, with each krewe naming its own court. One krewe, though, goes beyond its local membership for its king. The Krewe of Bacchus has been naming a celebrity as its very-public king, with the tradition kicking off with Danny Kaye in 1969. Over the years, actors, athletes, comics, musicians and singers who have worn the crown range from Perry Como to Will Ferrell, Nicolas Cage to Hulk Hogan. This year, "Entourage" actor Kevin Dillon is set to preside over the Feb. 11 event.
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The famed Krewe of Rex, which debuted in 1872, holds a special place in Mardi Gras lore. In a nod to the “reign” of Mardi Gras over the city, the Mayor of New Orleans traditionally hands over the key to the city to Rex, the king of Carnival, on Mardi Gras Day.
The tradition of blazing torches lighting the way for parade-goers during nighttime Mardi Gras lives on. Called flambeaux, French for torch, these torches are part of a tradition that dates back to the mid-19th century. Crowds would thank these light bearers by tossing coins (today, dollars). Over time, this practical role has taken on an artistic flair, with the flambeaux carriers twirling and dancing with their torches.
Though it may seem that New Orleans’ Mardi Gras goes on forever, it does have an official end. The party’s over when, New Orleans police officers on foot and mounted on horseback move through the crowds on Bourbon Street at midnight on Mardi Gras Day, sometimes joined by the mayor. Party’s over!
Kern Studios, a float-creation company, has been a part of Mardi Gras history since 1932 when, Kern history notes, “the first mule-drawn float was built on the back of a garbage wagon.” The family-owned business, which designs and builds floats for Mardi Gras and other festivals far beyond New Orleans, celebrates its historic ties to the city with Mardi Gras World. After repeated requests for tours, Blaine Kern opened the working studio to the public in 1984 and, now open daily, it’s become an attraction that draws hundreds of thousands of visitors from all over the world.
If you want to learn even more about Mardi Gras — or are visiting during non-Mardi Gras seasons — the colorful history of the celebration is honored year-round at The Presbytère, a historic building (a former monks’ residence) that’s one of the sites of the Louisiana State Museum. One of its permanent exhibitions is called “Mardi Gras: It’s Carnival Time in Louisiana.”
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